External Projects

Alumni Workshop with Kitty Finer External Pottery Project Degree Show Installation External Exhibition

Expanding Foam

Expanding Foam (2017) Process of creating ‘One Can (2017)’, ‘Growth (2017)’ and ‘Growth Split (2017)’. I wanted to experiment with the volume of materials on a canvas. The expanding foam offered a texture that I could continuously build upon, creating a heavy volume on a traditionally two dimensional space. This tested and questioned what the […]

Test Archive

Term 1 Test: A series of test pieces, combining technical components like circuit boards with nails and dress pins. The aim was to decide the amount/type of nails/dress pins for my ‘Encrusting Sculptures’ back in Term 1. ____________________________________________________________________________________________ Term 2 Tests: For Term 2 I made series of 5 x 4 inch white test […]

TERM 1

During Term 1 at university, I experimented with many techniques and materials to develop a practise. Please visit my 48 Hour Project and Encrusted Sculptures pages to see the process and final images.

TERM 2

During Term 2 at university, I further developed my practise by looking into volumes of materials and their relationship to traditional art processes. Please visit my Expanding Foam page to see the process, or the Gallery to see final images.

‘Untitled’ 2017, white casting plaster and acrylic paint on canvas, (100 x 70 cm).

‘Grey’ 2017, white casting plaster and black ink on canvas, (40.5 x 30.1 cm).

‘Dripping’ 2017, black high gloss paint, white casting plaster and black ink on canvas, (50 x 40 cm).

‘Salt’ 2017, black high gloss paint, PVA glue and table salt on canvas, (101.6 x 76.2 cm).

‘Submerge’ 2017, black high gloss paint on canvas, 101.6 x 76.2 cm).

‘Growth’ 2017, expanding foam and black high gloss paint on canvas, (56 x 44 x 12.5 cm).

‘Growth Split’ 2017, expanding foam and black high gloss paint on canvas, (109 x 91 x 12 cm).

Canvas Destruction

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Encrusting Scultpures

Encrusting Sculptures (2016) The aim of these sculptures was to challenge and question how we hold everyday objects that we generally do not think about. Using nails and dress pins, I encrusted the surfaces of these objects making them very difficult to hold. Danger is added to each object that was once vulnerable.

Harriet Holder

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